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  • Novelty Pieces – The Art of Theatrical Humor

    By: Timothy Loest

    Over the course of my composing career, I have found a fulfilling niche in creating novelty works, especially [...]

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  • Conducted by Bias: The Invisible Hand in Repertoire Selection

    By: Timothy Loest

    Unlike other school subjects, instrumental music is unique in that concepts and skills are taught through material [...]

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  • Top 10 Reasons to Flex

    By: Joseph Benjamin Earp

    10. You have gaps in your instrumentation. 9. The only student covering a part isn’t strong enough [...]

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  • CRITERIA FOR JUDGING QUALITY IN MUSIC

    By: Timothy Loest

    CRITERIA FOR JUDGING QUALITY IN MUSIC During my years in the music classroom, my teaching was significantly [...]

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  • The MUSIC Behind the Music: A Guide to Repertoire Selection

    By: Timothy Loest

    The MUSIC Behind the Music: A Guide to Repertoire Selection Many considerations come into play when selecting [...]

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  • “Is Your Ensemble Playing Music That’s Too Hard?”

    By: Peter Sciaino

    I’ve had the great privilege of being invited to serve as a judge and clinician for various [...]

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  • “I think I have the parts covered, but my group still doesn’t sound good!” Repertoire considerations for programs with small ensembles.

    By: Joseph Benjamin Earp

    Selecting appropriate repertoire for smaller bands and orchestras will always be a challenge for ensemble directors. How [...]

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